- Plan exact locations/subject matter to photograph. Make a list of the spots you plan to shoot, mark them on a map. Plan the position of the aircraft, circling will be useful to gain as many shots as possible.
- Finding a Pilot/Helicopter
Will not likely get good shots by flying
via commercial airline/helicopter. And by good, I mean different. Will need a
pilot willing to fly low and slow, flying in circles etc. So, will need to ask
your pilot to acquire permission to fly in the determined areas, give details
of where you need to go and how high/different angles needed.
Good to have some background knowledge of
flying yourself, just to be aware of what is possible/safe.
Helicopter with two engines, incase one
goes the other is for back-up.
- Safety:
Camera strap
- No use of
lenses/filters/attachments that could be pulled off by 100mph wind.
-
All camera attachments and
equipment inside the aircraft and out of the wind stream.
-
Before take off, ensure all
gear is secured and within reach.
-
Only the pilot comes in contact
with any aircraft controls/equipment.
- Comfort:
-
Prepare for possibilities of
motion sickness.
-
Looking through the viewfinder
and flying maneuvers can increase this risk.
-
Before flight discuss the
importance and methods of immediately reporting any indications of motion
sickness.
- Camera Damage:
-
Avoid placing the camera in the
wind: it can result with impact upon the aircraft, dust can be blown into the
camera optics and will effect all future images.
-
Be prepared for sudden
movements/turbulence, it can result with impact upon the aircraft.
- Motion Blur
Being the main cause of ruined photographs
from aerial photography, which cannot be fixed with post-production editing, it
is importance to prevent these issues.
-
Use “Program Auto” settings, or
settings that favor shutter speed over aperture.
-
Do not shoot slower than 1/250th
second.
-
Keep the camera inside the
aircraft out of the wind stream, grip firmly and use a strap.
-
It is a good idea to set the
camera to ‘continuous/burst’ shooting mode, so many photos will be taken whilst
holding down the button.
-
Snap in bursts of four or more,
so at least one may be steady between lens oscillations.
-
Holding the camera so it
touches nothing but your hand can result in steadier images.
-
Brace yourself on the aircraft.
-
Favor wide, zoom angle for less
motion blur and more lens sharpness.
- Haze
Haze you don’t notice while flying.
-
Use a UV filter and do not
shoot through a closed door/window.
-
Shoot away from the sun to
reduce haze.
-
Distance = haze. So nearby/downward
subjects will have less haze.
-
With brighter days, use a
polarizing filter.
- Zoom
Use zoom sparingly, try to shoot several
photos of each scene with different amounts of zoom.
-
More zoom = amplified motion,
reduced lens sharpness, increased lens aberrations.
- Exposure
-
Exposure bracketing to improve
odds of best exposure.
-
Use full-frame or ‘area’
metering mode to reduce over/under exposure.
-
- Lens
-
General rule is to have the
fastest lens that you can get.
-
Telephoto zoom lens: for close
to the ground shots, to isolate the subject/close the frame. However, they are
difficult to handle due to their weight and size.
-
Wide-angle lens: great for
landscape/sea/sky views.
-
Zoom lens: great for first
aerial experiences, for the ability to try different compositions during the
flight – both close-up and panoramic.
-
Prime lens: will take a sharper
photograph, however requires planning of flight position and visual thought
process.
http://photography.tutsplus.com/tutorials/aerial-photography-tips-for-your-first-flying-experience--photo-5071
http://en.wikipedia.org/wiki/Wikipedia:Aerial_photography
http://hapfashion.com/photography/digital-aerial-photography-techniques/
http://jasonhawkes.com/Behind-the-lens/BBC-Interview/1/
http://photography.tutsplus.com/tutorials/aerial-photography-tips-for-your-first-flying-experience--photo-5071
http://en.wikipedia.org/wiki/Wikipedia:Aerial_photography
http://hapfashion.com/photography/digital-aerial-photography-techniques/
http://jasonhawkes.com/Behind-the-lens/BBC-Interview/1/
No comments:
Post a Comment